Stella Wong
MANIFOLD
I like your body / which you don’t find
hot / and I like that about you.
Me, a weepy lettuce / purply, nutrient deficient
scrunchy / hyperbolic plane
which you say maxes out surface
area / superficial / same in Latin.
An alumna suggests I findom / but sounds
like call girl / with bank receipts and jail.
The hyperbole form is desperate
to escape / from me. Where
else / can you find my body / type
in cacti / coral / kelp
sponge / maybe pouty calla lilies
would help / meaning vaginas / hail
the giant / one in times square / literal
center of the universe / super face
made out of magenta / acrylic
nails / gemstones and you can’t find it
online. On your shoulder, I make brassy
trombone raspberries / we like to watch / men fold
men are lost / inside, called it
a carapace / and a hot pink
metallic fountain. On top / it’s fluted. No
really, the universe is a hyperboloid.
Of all the multidimensional / spaces,
bloopers, crying / through
this orchestra is hijinks enough.
STELLA WONG is the author of Stem (Princeton University Press, 2024), Spooks (Saturnalia, 2022), winner of the Saturnalia Books Editors Prize, and American Zero, selected for the Two Sylvias Press Chapbook Prize by Danez Smith. A graduate of Harvard, the Iowa Writers’ Workshop, and Columbia, Wong’s poems have appeared in American Poetry Review, Bennington Review, Colorado Review, Poetry, Lana Turner, and Prairie Schooner.
ISSUE THIRTEEN features poetry by Luci Arbus-Scandiffio, Rick Barot, Stephanie Burt, Lauren Camp, Laura Cronk, William Virgil Davis, Chelsea Dingman, Erica Ehrenberg, Robert Fernandez, Gabriel Fried, Tracy Fuad, David Gorin, Jennifer Hasegawa, Stefania Heim, Jose Hernandez Diaz, Ish Klein, Wayne Koestenbaum, Christopher Kondrich, Keetje Kuipers, Anna Leahy, Alessandra Lynch, Alicia Mountain, Allan Peterson, Iain Haley Pollock, Adrienne Raphel, Emily Rosko, Lauren Shapiro, Adrienne Su, Cole Swensen, Tom Thompson, Anne Waldman, G.C. Waldrep, and Stella Wong; fiction by Rachel Lyon and Benjamin Niespodziany; nonfiction by Angela Ball and Joanna Luloff; a film essay by Gustavo Pérez Firmat; and Anne Waldman in conversation with Sandra Simonds.
