Oni Buchanan

PROSTHETIC MERMAID TAILS

  •  
  •  
  • Prosthetic mermaid tails | for humans are now
    •  
    • in the queue of consideration | to be declared illegal.
  • In some more forward­looking | countries with more
    •  
    • evolved, efficient | judicial systems, indeed
  • mermaid tails have already | been declared illegal.
    •  
    • Because the problem is that | when wearing a mermaid tail,
  • it turns out that humans | become fooled by the temporary
    •  
    • physicality, by the merging | of the legs into a fin—even a
  • prosthetic fin!—to think | that they could stay underwater
    •  
    • longer than is actually | humanly possible. Given human
  • limitations of breathing. | See, the reality
    •  
    • is that people were drowning. | Real people were actually drowning!
  • Human men and women | who wore mermaid tails
    •  
    • found their brains in such a | state of ecstasy—flipping
  • underwater, gliding, speeding, | diving deep—and they stayed
    •  
    • too long, they engaged the | illusion 20­35 seconds too long
  • was really all it took. | (Approximately.) Just the
    •  
    • slightest misdemeanor. | Just the slightest self­indulgence.
  • Just the sheer wonder, luxuriating | at the joy they felt, at the sudden
    •  
    • intoxicating quantity of | bliss and freedom! At the
  • possibilities opening up, | unfolding before them almost
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    • infinitely after so much | deprivation! After so much
  • gravity and groundedness! | And honestly, it blotted out
    •  
    • their better judgment. | And they drowned
  • from lingering too long | in their fleeting fantasy, their
    •  
    • self­delusion which had | meanwhile brought them deep
  • into an uninhabitable | ecosystem. You can see
    •  
    • how this phenomenon | is problematic. Because
  • to put it bluntly, human | possibility ends before
    •  
    • mermaid possibility, when it | comes to swimming underwater.
  • It’s just a pure and simple | fact. Everyone knows that
    •  
    • rationally. And from isolated | tragedy, as sometimes happens,
  • a larger pattern began | to form when tracked upon a
    •  
    • map, when tracked in analyzed | causality: drownings of euphoria,
  • drownings of delirious | diving, drownings with the widest
    •  
    • smiles and the cheeks stretched | underwater with the speed,
  • then suddenly the limits | of the breath’s elasticity are
    •  
    • reached, the surface frames | a tantalizing gateway,
  • the sun shines high | above the shimmering boundary—

ONI BUCHANAN is a poet, pianist, and the founder and director of the Ariel Artists classical music management company. Buchanan is the author of three books of poetry: Must a Violence, Spring, and What Animal. Her poems have been selected for numerous anthologies, and have been published in many print and online literary journals.


Issue Two
$13.00

ISSUE TWO features fiction by Gina Apostol, Nicholas Delbanco, Shane Jones, Evan Lavender-Smith, Jeff Parker, and Irina Reyn; creative nonfiction by Cynthia Cruz, James Allen Hall, and LaTanya McQueen; film writing by J.M. Tyree; poetry by Sara Deniz Akant, Samuel Amadon, Kate Colby, Liz Countryman, Erica Dawson, Darcie Dennigan, Alex Dimitrov, Aracelis Girmay, Leslie Harrison, Hannah Sanghee Park, Cecily Parks, Paisley Rekdal, Jane Wong, and Maggie Zurawski; and an interview with Araclis Girmay.

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