Julia Anna Morrison
ASTRONAUT
When I wrote, the alphabet, like Earth, got smaller
as I got farther away
Words were spirals, figures. They became numerical.
My father, a physicist, said math was a language
The homework asked me to consider a girl on a sled
at a certain speed on an incline of x degrees
I could only see the red of the girl’s cheeks, the terrible horizon,
the guilt of the snow—
My father did my homework, calculating her arrival time
at the base of the glacial mountain
After, he drove me to ballet where he waited
across the street for an hour while I taught myself
to rotate my body in midair
He was careful to drive the long way back home
so we didn’t pass the glimmering hotel
where the accident occurred
There is an equation where we could have been saved
My father knows that math keeps us from floating away
He knew by then that I was too old to start ballet,
but he waited, believing less in variables and more
in how cold the car was getting,
only my turning silhouette visible
from where he idled in the empty parking lot
while the snow began to accumulate
JULIA ANNA MORRISON is a poet and filmmaker living in Iowa City. A Yaddo and MacDowell fellow, she has work in Brink, The Georgia Review, and Notre Dame Review .Her first book of poems is Long Exposure (Moon City, 2023). She teaches at the University of Iowa.
ISSUE FIFTEEN features poetry by Samuel Amadon, Malachi Black, Thea Brown, Michael Chang, Adam Clay, Jose Hernandez Diaz, Sean Thomas Dougherty, Brandon Downing, Kami Enzie, Angie Estes, John Gallaher, Rachel Galvin, Matthew Gellman, Bob Hicok, Domenica Martinello, Julia Anna Morrison, Mark Nowak, Allan Peterson, Elizabeth Robinson, David Roderick, Mary Jo Salter, Rob Schlegel, Will Schutt, Donna Stonecipher, Rodrigo Toscano, Noah Warren, Phillip B. Williams, and Stella Wong; fiction by Aimee Bender, Amelia Gray, and Keith Lesmeister; creative nonfiction by Su-Yee Lin, Philip Metres, and Kim Gek Lin Short; and Donna Stonecipher in conversation with Camille Guthrie.
